In
documentaries, as in life, things don't always go as planned. “The
Queen of Versailles” begins with David Siegel, founder and owner of
Westgate Resorts, the largest time share company in the world. He and
his wife Jackie are in the process of building the largest single
family home in the United States, which they have designed in the
image of the palace of Versailles.
On
a technical level, the film is mediocre. The cameras are sometimes
shaky and amateur, but is a small price to pay for such an intimate
perspective of the Siegel family and the real life conflicts they
find themselves in.
In
a series of dramatic twists the family finds it's fortune in
jeopardy, and the struggles that emerge between Jackie, David, and
his business have all the drama of a Chekhov play, and all the
tension of an episode of “The Alfred Hitchcock Hour”. “The
Queen of Versailles” follows the decline of the American equivalent
of royalty through a stunningly profound examination of the stock
market crash of 2008.
Despite
being a non-fiction piece, “The Queen of Versailles” could have
just as easily been written by a team of first class scriptwriters.
The Palace of Versailles previous occupant went from the top to the
bottom, as David Siegel does in the 100 minute run time. This
historical connection makes for a compelling storyline, put into an
exciting historical context.
Sometimes
Jackie, David's second wife, is easy to laugh at. She appears to be
an out of touch aristocrat when she asks the rent a car
representative about a chauffeur. But at other times she shows
herself to be an intelligent, determined woman who cares very much
about her children and her family. When their marriage goes from
richer to poorer it is Jackie, not David who goes to the greatest
lengths to keep their family together.
By
personalizing (I hate to use the phrase) “one per-centers” the
film almost asks for pity unto a man who climbed to the very top of
the mountain only to fall off the peak. While at the same time
sometimes painfully exposes weaknesses and faults that transcend
class lines. In an age when the public tweets for a revolution, it is
easy to forget that no one lives without a struggle. “The Queen of
Versailles” exposes consequences to the dark side of achieving the
American dream.
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